• Pat Bentson: Foreword: The Leonardo Women, Art, and Technology Project
• Judy Malloy: Preface and Introduction: At the Intersection of Art and Technology in a Time of Transformation

Overviews

• 1. Margaret Morse: The Poetics of Interactivity
  
• 2. Patric Prince: Women and the Search for Visual Intelligence
  
• 3. Sheila Pinkel: Women, Body, Earth
  
• 4. Anna Couey: Restructuring Power: Telecommunications Works Produced by Women
  
• 5. Kathy Brew: Through the Looking Glass

Artists' Papers

• 6. Steina: My Love Affair with Art: Video and Installation Work

• 7. Joan Jonas: Transmission

• 8.Dara Birnbaum: The Individual Voice as a Political Voice: Critiquing and Challenging the Authority of Media

• 9. Jo Hanson: Small Leaps to Ascend the Apple Tree

• 10. Helen Mayer Harrison and Newton Harrison: Shifting Positions towards the Earth: Art and Environmental Awareness

• 11. Sonya Rapoport: Process(ing) Interactive Art: Using People as Paint, Computer as Brush

• 12. Lynn Hershman: Touch-sensitivity and Other Forms of Subversion

• 13. Nancy Paterson: Bicycle TV: Expo '92 Installation

• 14. Pauline Oliveros, Acoustic and Virtual Space as a Dynamic Element of Music

• 15. . Rebecca Allen with Erkki Huhtamo I Always like to go where I am not supposed to be

• 16. Donna Cox: Algorithmic Art, Scientific Visualization and Tele-immersion: an Evolving Dialogue with the Universe

• 17. Agnes Hegedus: My Autobiographical Media History - Metaphors of Interaction, Communication and Body Using Electronic Media

• 18. Judith Barry: Reflections on some Installation Projects

• 19. Jennifer Hall and Blyth Hazen: Do While Studio

• 20. Brenda Laurel: Technological Humanism and Values-driven Design

• 21. Monika Fleischmann and Wolfgang Strauss: Imagine a Space Filled with Data

• 22. Char Davis: Landscape, Earth, Body, Being, Space and Time in the Immersive Virtual Environments Osmose and Ephemere

• 23. Cecile Le Prado: Sound Installations and Spatialism

• 24. Pamela Z: A Tool is a Tool

• 25. Nell Tenhaaf: Production and Reproduction

• 26. Alluquere Rosanne Stone: Your Words, My Silent Mouth: Trying to Make Narrative Sense out of Nonnarrative Work

• 27. Valerie Soe: Video arte povera: Lo-Fi Rules!

• 28. Kathy Rae Huffman: Face Settings: an International Co-cooking and Communication Project by Eva Wohlgemuth and Kathy Rae Huffman

• 29. Diane Fenster and Celia Rabinovitch: The Alchemy of Vision

• 30. Linda Austin and Leslie Ross: Pigs, Barrels and Obstinate Thrummers

• 31. Dawn Stoppiello with Mark Coniglio: Fleshmotor

Concluding Essays

• 32. Jaishree K. Odin: Embodiment and Narrative Performance

• 33. Simone Osthoff: Women and Media Arts in Brazil

• 34. Martha Burkle Bonecchi: Technology has Forgotten Them: Third World Women and New Information Technologies

• 35. Carol Stakenas: Crossing the Threshold: Examining the Public Space of the Web Through Day Without Art Web Action

• 36. Zoe Sofia: Contested Zones: Futurity and Technological Art

Reviews of Women, Art & Technology

"...A rich source of information about the women and works that have made media arts history -- or should."
Dene Grigar, American Book Review

"...many of the artists' papers gathered here stand as frank, revealing, and inspiring expositions of their work, and Judy Malloy is to be congratulated on an important compilation of materials from a most important field..."
- Sadie Plant, Tekka

"This is a phenomenally important volume." - Judith Hoffberg, Umbrella

"Judy Malloy's anthology Women, Art and Technology is a rare and welcome book. It is a collection of insiders' histories of a world that was only briefly glimpsed and that for the most part remained unrecorded. In the field of new media where obsolescence is the norm, the arrival of this exploration of the continuity of artistic vision and political concerns that have driven women's aesthetic experimentation with technology over the last few decades is a real gift..."
-- Carolyn Guertin, TrAce

"...The writings themselves serve to illustrate the breakdown of the barriers between art and technology by their presentation as a combination of technical report writing, artistic sensibility, and visual documentation. I came away from this book with a long list of further reading and websites to visit and a greater understanding of not only the role of the feminine in techno/art but of techno/art itself."
- - Jayne Fenton Keane, English Studies Forum

"....Perhaps most fascinating are the book's multifaceted observations about the symbiotic relationship of media such as modern dance, sound, video, and computer programming...."
- Geary Yelton, Electronic Musician